Twenty-six years ago, Jane Golden took to the streets of Philadelphia armed with paint, brushes, simple designs, and a small contingent of helpers. Her goal? Wipe out the city's ugly graffiti. Her weapon of choice? Murals.
Since 1984 she has put paintbrushes in the hands of more than 35,000 city kids. The program has brought art to prison inmates and drug addicts, as well as wary stoop sitters. The waiting list for murals to be painted here is 2,000 walls long. Artists far beyond Philly want in on the design work.
Under Ms. Golden's tenure, Philadelphia has become known as "The City of Murals." The murals now incorporate mosaics, fabric, plant materials, even light and sound, and her canvases go beyond just walls to places such as an oil refinery tank.
Some 15,000 visitors last year took tours of Golden's murals. Many who come are officials from Paris, Rome, London, and other cities seeking graffiti-prevention advice and insights into how Mural Arts keeps the murals so remarkably undefaced.
The answer lies in collaborating with residents on each mural, Golden says. Averaging 30 feet by 35 feet and costing about $20,000 each, the murals are not imposed on a neighborhood but rather reflect the nature of that neighborhood, whether it's love of a Philadelphia musical great such as Patti LaBelle or Mario Lanza or a plea for racial harmony.
To Golden, making murals depicting heroes, seekers, and slogans is part of community building. Her formula has several steps. First, draw on talented young recruits from the Mural Arts art education program in the public schools.
Next, tap residents for design ideas. Then refine the design until you get it right. And, finally, encourage people to come out and paint.
When they do come out – to paint, to find out what's going on, to weigh in – residents discover that they can come together to accomplish other things, too – like dealing with a vacant lot or a littered street or a problem with a school.
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"I love being a city employee," Golden says. "To me it's an honor to be part of government and to figure out ways to better the lives of people."
"She is an incredible public servant," says Philadelphia Mayor Michael Nutter. Golden has worked for four different mayors over the years.
Golden grew up in Margate, N.J., the daughter of art-loving parents who early on exposed her to the politically motivated posters that artist Ben Shahn created during the 1930s Depression.
That inspired her to work on murals in Los Angeles after she graduated from Stanford University in 1977 with a degree in fine arts and political science.
As Golden joined other officials at the massive Personal Renaissance wall outside the drug treatment center, local participants in the real-life drama of drug addiction stood tentatively at the fringes. The words on the mural came from poems written and painted by proud clinic attendees.
"We're showing the neighbors we're not just a bunch of drug addicts. We are a member of the neighborhood," said a patient who identified herself only as Pat.
Down the block, local resident Yesenia Lopez says the mural's words give the wall deep significance.
"If you read it – if you really read it – you can change your life," she says.
Source Article:http://www.csmonitor.com/USA/Society/2010/1115/She-uses-paint-brushes-and-volunteers-to-clean-up-graffiti-and-build-communities/%28page%29/2
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